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・ And & End
・ And (John Martyn album)
・ And 1
・ AND 1 Streetball
・ And a body to remember with
・ And a Little Child Shall Lead Them
・ And a Nightingale Sang
・ And a Star to Steer Her By
・ And a Whole Lotta You!
・ And Afterward, the Dark
・ And Agnes Chose to Die
・ And All Between
・ And All My Dreams, Torn Asunder
・ And All That Could Have Been
・ And All the Pieces Matter
And Along Came Jones
・ And Along Come Tourists
・ And Also the Trees
・ And Also the Trees (album)
・ And Another Thing
・ And Another Thing... (album)
・ And Another Thing... (novel)
・ And babies
・ And Be a Villain
・ And Blood Was Shed in Warsaw
・ And Both Were Young
・ And Can It Be
・ And Chaos Died
・ And Close As This
・ AND Corporation


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And Along Came Jones : ウィキペディア英語版
And Along Came Jones

''And Along Came Jones'' is an album by American country music singer George Jones released in 1991 on the MCA Nashville Records label.
==Recording==
After 19 years with Epic Records, Jones and his wife Nancy, who was now engineering all of his major career moves, signed with Tony Brown of MCA Records, the dynamic chief record executive and staff producer who had been a central figure in the renaissance country music had undergone in the late 1980s and early 1990s. Brown told ''The New York Times'' that signing Jones "was like signing Elvis. If I could sign only one of all the legends in town, George is the one I would sign. Everyone still loves him." Although Jones's last two Epic albums had been ignored by radio, dozens of Nashville's new superstars sang his praises in interviews. ''And Along Came Jones'' was produced by Kyle Lehning, who was hot off a string of hit albums by Randy Travis and had previously produced Jones's last Top Ten hit, a duet with Travis called "A Few Ole Country Boys". The album took nine months to record - an eternity compared to the singer's early days - and featured the usual mix of ballads, drinking songs, and novelties. Backed by MCA's powerful promotion team, the album sold better than his previous one had but two singles, "You Couldn't Get The Picture" and "She Loved A Lot In Her Time" (a tribute to Jones' mother Clara), did not crack the top 30 on the charts as Jones lost favor with country radio as the format was altered radically during the early 1990s. Jones also made music videos for each single but his resentment towards the country music business and its assembly line star-making machinery was growing, writing in his 1996 autobiography, "I don't care much for many of today's young country singers. They're not country - they're clones. Many got their recording contracts because they sound like someone else."

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